![]() White Pony took twice as long to create as Around the Fur did, and it shows. They teamed again with producer Terry Date, who had helmed both Adrenaline and Around the Fur, and helped Deftones balance their competing influences: Carpenter's seven-string Meshuggah obsessions and Moreno's deep dive into the brooding post-modern sounds of DJ Shadow and Massive Attack. Recording sessions for the White Pony album were designed to push ever further, as the classic Deftones lineup hit a new peak in range and ambition: Moreno on vocals and (for the first time) guitar, Stephen Carpenter on guitar, Chi Cheng on bass, Abe Cunningham on drums and, now a full member of the band, Frank Delgado on turntables and keyboards. The band instinctively broke from the pack with 1997's Around the Fur, an album rife with exploratory songs that were agonized and contemplative, soaring and aggro. Deftones had played their part in creating that scene, with rapped vocals and a distinctive metal sound on their frantic 1995 debut, Adrenaline, but now were done with it. Work on the original record began amid pre-millennial angst as Y2K approached, and just as the nu-metal era was peaking with a tsunami of sound-alike acts colliding loud guitars, turntables and hip-hop vocals to platinum sales and MTV stardom. Any hopes for a White Pony 20th anniversary tour are in limbo, but a reissue is coming that will include a companion-piece remix album called Black Stallion (get the White Pony | Black Stallion Vinyl Set with Print at the Revolver shop), and the singer is excited to talk again about his band's watershed LP. Video of Deftones - Change (In The House Of Flies) Īs he looks back now, it's the summer of 2020 and the band is scattered to their homes, locked up under coronavirus quarantine.
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